The swaying feeling in jazz music that compels feet to tap may arise from near-imperceptible delays in musicians’ timing, Nikk Ogasa reported in “Jazz gets its swing from small, subtle delays” (SN: 11/19/22, p. 5).
Reader Oda Lisa, a self-described intermediate saxophonist, has noticed these subtle delays while playing.“I recorded my ‘jazzy’ version of a beloved Christmas carol, which I sent to a friend of mine,” Lisa wrote. “She praised my effort overall, but she suggested that I get a metronome because the timing wasn’t consistent. My response was that I’m a slave to the rhythm that I hear in my head. I think now I know why.”
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