The 17th-century Dutch artist Rembrandt Harmenszoon van Rijn lacked stereoscopic vision, suggest two researchers at Harvard Medical School in Boston.
An optical analysis of Rembrandt’s self-portraits reveals that his eyes tended to gaze away from each other rather than to focus on a single point, say Margaret S. Livingstone and Bevil R. Conway. The artist’s consequent lack of depth perception actually might have helped him render three dimensions onto flat surfaces, they say.
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